5/17/2023 0 Comments Album cover finder mac![]() Mélusine is a wondrous album, top to bottom. The attractive physical disk contains lyric translations plus Salvant's own whimsical and evocative drawings. While Sullivan Fortner's decidedly 21st-century synthesizer timbres signal that no one is tied to period practices, Salvant displays increasingly intricate embellishments that are clearly informed by her studies. The album's animated single, "D'un feu secret," a 17th-century French baroque air, nods to Salvant's training in baroque music (and jazz) at the Milhaud Conservatory in Aix-en-Provence. All are studio tracks except "La Route Enchantée," a perfect live take on a Trenet chanson that Salvant's grandmother loved. ![]() The set embraces 12th, 14th, 17th and 20th century pieces, plus well-crafted originals. They are about both the desire and impossibility of forgiveness when confronted with an unrepentant transgressor." 3 - To adjust settings for this screen saver, click Options. 1 - Choose Apple menu > System Preferences and click Desktop & Screen Saver. Together, 'Domna N'almucs' and 'Dame Iseut' form a tenso, a debate song between two female troubadours, like a rap battle. Mac OS 10.4 Help - Using iTunes artwork as a screen saver. French binds those two languages together. Salvant explains: "The album ends in Occitan and Kreyòl, languages of my ancestors that I can't speak. Of equal power is the closer, a medley of two 12th-century songs, reimagined. "You don't have all the details at the start," Salvant suggests. ![]() Salvant is in superb form, as throughout the release, but in the third verse Aaron Diehl's piano steals the show, becoming unexpectedly unmoored from the tonality ("wild geese were flying and screaming 'death' as they passed"). A quasi-ostinato in the piano and ominous heartbeat bass create a suspenseful cinematic feel from the outset. The stunning album opener"Est-ce Ainsi Que Les Hommes Vivent?" (Is This How Men Live?) by surrealist poet Louis Aragon and Léo Ferrésets the scene. It became a challenge: Rather than just gather up French songs, could I tell the story of Mélusine by drawing on a range of songs, most in French, some in Kreyòl, even Occitan? It turns out that a lot of songs I'd been performing, if ordered a certain way, could follow the story almost exactly, even though the songs were written centuries apart." Little by little, that led me to the Mélusine storyshe's half-woman and half snake, similar to Aida Wedo in Haitian Vaudou. She describes her creative process like this: "I became fascinated with mythic ugly-beautiful goddess-monsters. Salvant engages the narrative line as a pathway for offering material in French, her first language. ![]() "Mélusine" is a 14th-century tale of a woman who becomes a snake from the waist down on Saturdays. French songs have cropped up regularly in her live shows, but less on disk. Here, she plumbs the francophone side of her repertoire. Wynton Marsalis was right, Cecile McLorin Salvant is the sort of singer who comes along only "once in a generation or two." A MacArthur Fellow, multiple Grammy winner, and self-described eclectic, Salvant creates projects that encompass an astonishing array of idioms and historical periods, which she interrelates inventively and interweaves with original compositions. ![]()
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